Photographer of the week: David & Myrtille

David & Myrtille is a duo of French photographers, based in Paris : David Pairé and Myrtille Vardelle are two professional graphic designers who have been working for several years in the publishing field.
In july 2011, they decided to explore photography in what they like the most : Cover Arts. In a creative style, their images capture different universes, from romance to thriller.

I leave you to enjoy 10 of their selected pictures – you can always drop by their website, 500px account or connect on google plus.

David&Myrtille12

David&Myrtille4

David&Myrtille10

David&Myrtille6

David&Myrtille5

David&Myrtille3

David&Myrtille16

David&Myrtille18

David&Myrtille17

David&Myrtille1

How did you shoot this? … is contagious

... is contagious (2012-05-11_EOS 5D Mark II_101-7920)

I took a long afternoon nap and I knew, from the moment I woke up, that I had done a mistake. I knew I was heading for a long sleepless night, so I decided to make something worthwhile of it and, since I was in no mood for work, I decided to play with fire (literally).

I’ve always wanted to take a pic of a match as soon as it starts burning but, since I couldn’t figure out how to do that, I tried something different and this was how I ended up with “… is contagious”

The Gear

Camera : Canon 5D MKII mounted on a tripod centered on the matches
Focus : Manual Focus using live-view, I always use live view focus for critical focus
Lens : 70-200 L F/4 at 200mm
Speed light: One speed light at the left of the matches about 1 meter away at 1/64 of its power
Picture Settings: Shot in RAW, Flash White Balance, F/11 at 1/160 seconds ISO 400

Why I picked up these settings? Well at 200mm you can expect the DOF to be thin and focus will fall out very quickly so I needed a relatively high F number to keep everything in focus including the flame and smoke. I also needed a high shutter speed to freeze the action when the match is picking up fire.
If it was a one match setup the speed light would have probably been useless but, in my cases, I needed something to light the matches and I doubt the fire light alone would have done that.

The setup

Making of : ... is contagious

Click on the image above to see the annotations

First, since I was playing with fire, I wanted to take some safety measures so transparent the plate is filled with water in case a match falls or anything.
Second I needed an easy and fast way of lining up the matches, so I used a small recipient (the black one) and filled it with salt. Of course sand would have been great but it was past midnight and salt did a great job.
I set everything on a black piece of cloth that is used for background, and set my flash on the right one meter away, finally all I had to do was plug the matches in the salt.

Taking the shots

Making of : ... is contagious

I started by taking a few shots to get the flash settings right and this is a full picture of how it looked with all matches off and speed light power set to 1/64, I was satisfied with the results.

The rest was easy… Set the camera to continuous shooting and used a remote trigger. Basically the camera was shooting continuously from right before I lit up the first match till everything was off again.

Post Processing

There is no editing done for the picture apart from square cropping and sharpening, other than this it is straight out of the cam.

Frustration Level

I often measure my shots by my frustration level, basically how many times I had to shoot or how long it took me before getting the shot I wanted. Well, in that case, the frustration level was pretty low.

I actually shot only 3 sets (a total of 36 matches burned) then picked up the picture I liked the most cropped it, sharpened it and the job was done. I could have easily picked 5 or 6 others out of tonight’s shots but I guess I will stick with that one for the moment.

First shot taken at 1:30 am, shot and tutorial ready by 4:30am. If you ask me that’s a night well spent …

Photographer of the week: Serge Ramelli

Our photographer of the week is Serge Ramelli, a french photographer living in Paris. Serge does commercial work and teaches photography, Photoshop & Lightroom.
His influence are photographers like Joel Grimes, Moose Peterson and Jean Michel Berts. Serge has been doing a lot of HDR, but over the last couple of years, he finds that just using Lightroom with one good expose raw file gets a more natural and “punchy” result.

One of his most interesting photography series is an urban landscape series called “Paris cinema”, where he takes photos of Paris in beautiful lights. He’s been doing it for 7 years now and his collection consists of over 200 beautiful photos.
Sadly I can only share with 10 pictures of those in this post. I leave you to check out his website for the full dose of HDR photography.

The barques of Vincennes

CoucherSoleilPondesArts_105_70_254DPI

Sun on the Alexander III bridge

Sunset in the forest

Sunrise on the Pont Neuf bridge paris

The roof of Paris at night

Storm on the Pont Neuf bridge in paris

Panoramic of Notre Dame Paris

The kid and the baseball

A street in montmartre at night Paris

Photographer of the week: Kai Michael

Kai Michael is a fine art photographer based in Bellingham, WA. His images, although highly altered in digital postproduction, begin as either medium or large format film negatives.
Much of his influence is drawn, conceptually, from a fascination with the reconstructive nature of memory, and formally, from the Color Field and Lyrical Abstraction movements

I leave you to enjoy 10 of his selected pictures that can be grouped into 3 main series:

  • Constructed Horizons series:  These are constructed landscapes. Everything located above the horizon is not native to the original image, consisting of either walls or surfaces. By substituting the skyline with a finite surface, the image fluctuates between the physical and the infinite
  • Homes series: A study in the absurd, all of the windows have been removed.
  • Untitled – ultrachrome from film

For his full work, don’t forget to drop by his website.

7065573531_972b09c39c

6919493670_0df5474bc1

7065573223_3af2e4689e

6919493498_0a2c0c5165

6919493830_3ca76cee3d

7065573421_7635525b5d

7080857105_8be592b2df

7065574089_3723512ebe

7080856235_581aacc08d

Homes_6919494822_ea89d616c3

Photographer of the week: Niklas Alm

Swedish still life and advertising photographer Niklas Alm started exploring the world of photography as a kid in his parents darkroom. Since 2001 he has been working with both editorial and advertising commisions, winning awards in Epica Awards, New York Festivals and Sony World Photography Awards among others.

His passion for creating interesting environments and images with a character of their own is seen in most of his work as he mixes his analog set design with the computer generated.

His clients include international brands such as Adidas, Amnesty, Bosch, Lucky Strike, Toyota and Samsung.

I leave you to enjoy 10 of his selected work, for his full portfolio, you can drop by his website.

200250564-001

kaos_2

Alfa_Still_Face

Amnesty_White

Ballerina_Auto

DV_Smycken_Fjaril_Mork

Expressen_Mafia_Mork

Hemglass_center

KarlssonsKlister

Vision_Huvudbild02_ny

Also below is a video of Niklas, in full action, during one of his projects for the Swiss Los and in collaboration with Anton Thorsson